_outsideinside-out
_unscene199
The show, The Candidate, examined and subverted the concept of ‘the family’. This concept was derived from the Langham Club, which for many years has functioned as a communal, intergenerational living room, with all the love and fall-outs, gossip and giggles, fond memories and baggage you’d find in any tight-knit community with a lot of history. The show involved about 25 performers, aged 21–84, five live musicians and several designers. A couple of the club’s long-standing members performed in the show too, including the bingo lady, who starred as herself. The club was open to members during show nights, so the audience were never quite sure who was a performer and who was a punter, or what was spontaneous and what was rehearsed.
The Candidate was a site-specific, immersive theatre piece that was devised and staged by Persona Collective in 2019 at The Langham Club; a traditional working mens club on Green Lanes, near where we all live in Haringey, north London. The club has existed for over 100 years but its numbers are really declining. We became members and spent several months hanging out there, getting to know the regulars and attending bingo nights before developing the show.
The Candidate is the first and last piece of a perpetual cycle. It is a surreal exploration of the family concept, where characters act as family members to fabricate a false reality.
The story is a metaphor for a failed socio-political and financial system in which the role of the family is to prepare themselves to form part of an absurd and competitive system, with no way out. Here, the strange pathologies of human behaviour are dissected and the characters find themselves falling down a symbolic rabbit hole, slowly losing control of events and culminating in an intoxicated awakening that is a celebration of human affairs and rituals.
The Candidate was a site-specific, immersive theatre piece that was devised and staged by Persona Collective in 2019 at The Langham Club; a traditional working mens club on Green Lanes, near where we all live in Haringey, north London. The club has existed for over 100 years but its numbers are really declining. We became members and spent several months hanging out there, getting to know the regulars and attending bingo nights before developing the show.
The Candidate is the first and last piece of a perpetual cycle. It is a surreal exploration of the family concept, where characters act as family members to fabricate a false reality.
The story is a metaphor for a failed socio-political and financial system in which the role of the family is to prepare themselves to form part of an absurd and competitive system, with no way out. Here, the strange pathologies of human behaviour are dissected and the characters find themselves falling down a symbolic rabbit hole, slowly losing control of events and culminating in an intoxicated awakening that is a celebration of human affairs and rituals.
The Candidate was a site-specific, immersive theatre piece that was devised and staged by Persona Collective in 2019 at The Langham Club; a traditional working mens club on Green Lanes, near where we all live in Haringey, north London. The club has existed for over 100 years but its numbers are really declining. We became members and spent several months hanging out there, getting to know the regulars and attending bingo nights before developing the show.
The Candidate is the first and last piece of a perpetual cycle. It is a surreal exploration of the family concept, where characters act as family members to fabricate a false reality.
The story is a metaphor for a failed socio-political and financial system in which the role of the family is to prepare themselves to form part of an absurd and competitive system, with no way out. Here, the strange pathologies of human behaviour are dissected and the characters find themselves falling down a symbolic rabbit hole, slowly losing control of events and culminating in an intoxicated awakening that is a celebration of human affairs and rituals.
The Candidate was a site-specific, immersive theatre piece that was devised and staged by Persona Collective in 2019 at The Langham Club; a traditional working mens club on Green Lanes, near where we all live in Haringey, north London. The club has existed for over 100 years but its numbers are really declining. We became members and spent several months hanging out there, getting to know the regulars and attending bingo nights before developing the show.
The Candidate is the first and last piece of a perpetual cycle. It is a surreal exploration of the family concept, where characters act as family members to fabricate a false reality.
The story is a metaphor for a failed socio-political and financial system in which the role of the family is to prepare themselves to form part of an absurd and competitive system, with no way out. Here, the strange pathologies of human behaviour are dissected and the characters find themselves falling down a symbolic rabbit hole, slowly losing control of events and culminating in an intoxicated awakening that is a celebration of human affairs and rituals.
> the halfway house / behind the scenes
> the halfway house / behind the scenes
_fallinghouse
Falling House plays with notions of the absurd through the portrayal of a continuously changing burning building. The perception of time as a linear construct is altered as the house is first destroyed in flames and then, played backwards, the house is perceived to be constructed by the same flames that destroyed it. Fire is the catalyst for change and renewal but also becomes an integral part of the material fabric of this building.
In collaboration with Jack Wates and Ricardo Vincentini
- Exhibited in Cities Methodologies; Building on Fire: Towards a New Approach to Urban Memory, Slade Research Centre, April/May 2014.
- Published in Engaged Urbanism: Cities and Methodologies, I.B Tauris, December 2016.
- Featured in Architecture and Fire: A psychoanalytic Approach to Conservation.
Falling House. Stills from the film depicting the reverse construction of the building by fire.
Published in Engaged Urbanism: Cities and Methodologies, I.B Tauris, December 2016.
by Jack Wates, Rocio Ayllon, Ricardo Vincentini.