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The show, The Candidate, examined and subverted the concept of ‘the family’. This concept was derived from the Langham Club, which for many years has functioned as a communal, intergenerational living room, with all the love and fall-outs, gossip and giggles, fond memories and baggage you’d find in any tight-knit community with a lot of history. The show involved about 25 performers, aged 21–84, five live musicians and several designers. A couple of the club’s long-standing members performed in the show too, including the bingo lady, who starred as herself. The club was open to members during show nights, so the audience were never quite sure who was a performer and who was a punter, or what was spontaneous and what was rehearsed.
The Candidate was a site-specific, immersive theatre piece that was devised and staged by Persona Collective in 2019 at The Langham Club; a traditional working mens club on Green Lanes, near where we all live in Haringey, north London. The club has existed for over 100 years but its numbers are really declining. We became members and spent several months hanging out there, getting to know the regulars and attending bingo nights before developing the show.
The Candidate is the first and last piece of a perpetual cycle. It is a surreal exploration of the family concept, where characters act as family members to fabricate a false reality.
The story is a metaphor for a failed socio-political and financial system in which the role of the family is to prepare themselves to form part of an absurd and competitive system, with no way out. Here, the strange pathologies of human behaviour are dissected and the characters find themselves falling down a symbolic rabbit hole, slowly losing control of events and culminating in an intoxicated awakening that is a celebration of human affairs and rituals.
The Candidate was a site-specific, immersive theatre piece that was devised and staged by Persona Collective in 2019 at The Langham Club; a traditional working mens club on Green Lanes, near where we all live in Haringey, north London. The club has existed for over 100 years but its numbers are really declining. We became members and spent several months hanging out there, getting to know the regulars and attending bingo nights before developing the show.
The Candidate is the first and last piece of a perpetual cycle. It is a surreal exploration of the family concept, where characters act as family members to fabricate a false reality.
The story is a metaphor for a failed socio-political and financial system in which the role of the family is to prepare themselves to form part of an absurd and competitive system, with no way out. Here, the strange pathologies of human behaviour are dissected and the characters find themselves falling down a symbolic rabbit hole, slowly losing control of events and culminating in an intoxicated awakening that is a celebration of human affairs and rituals.
The Candidate was a site-specific, immersive theatre piece that was devised and staged by Persona Collective in 2019 at The Langham Club; a traditional working mens club on Green Lanes, near where we all live in Haringey, north London. The club has existed for over 100 years but its numbers are really declining. We became members and spent several months hanging out there, getting to know the regulars and attending bingo nights before developing the show.
The Candidate is the first and last piece of a perpetual cycle. It is a surreal exploration of the family concept, where characters act as family members to fabricate a false reality.
The story is a metaphor for a failed socio-political and financial system in which the role of the family is to prepare themselves to form part of an absurd and competitive system, with no way out. Here, the strange pathologies of human behaviour are dissected and the characters find themselves falling down a symbolic rabbit hole, slowly losing control of events and culminating in an intoxicated awakening that is a celebration of human affairs and rituals.
The Candidate was a site-specific, immersive theatre piece that was devised and staged by Persona Collective in 2019 at The Langham Club; a traditional working mens club on Green Lanes, near where we all live in Haringey, north London. The club has existed for over 100 years but its numbers are really declining. We became members and spent several months hanging out there, getting to know the regulars and attending bingo nights before developing the show.
The Candidate is the first and last piece of a perpetual cycle. It is a surreal exploration of the family concept, where characters act as family members to fabricate a false reality.
The story is a metaphor for a failed socio-political and financial system in which the role of the family is to prepare themselves to form part of an absurd and competitive system, with no way out. Here, the strange pathologies of human behaviour are dissected and the characters find themselves falling down a symbolic rabbit hole, slowly losing control of events and culminating in an intoxicated awakening that is a celebration of human affairs and rituals.
> the halfway house / behind the scenes
> the halfway house / behind the scenes
Rocio is a London-based artistic director and producer for film and theatre. She founded Persona Collective in 2017.
Rocio works primarily with devised theatre techniques. She continually experiments with new and playful methods of theatre creation that blur spatial, temporal and conceptual boundaries, weaving complex webs of fiction and reality, public and private, and past, present and future. She has collaborated with designers and architects, photographers and choreographers, and writers and technologists, always seeking to develop and broaden her understanding of theatre and film through interdisciplinary work.
Her narratives are usually steeped in psychological realism. She is interested in the complexity of human nature, culture and experience. Her work explores memories, dreams, rituals and magic, alongside existential fears and anxieties. She is interested in how experiences reverberate through time and space, and how buildings and objects embody collective and personal memories. Her storytelling is multi-sensory and dreamlike, often absurd and grotesque.
Rocio's narrative and artistic work takes many forms, manifesting through film, theatre and immersive installations, or combinations of all three. She has experience performing a variety of roles, from teaching, writing and directing to acting, producing and curating. She has worked with sound, light and video projection, and musicians, dancers and actors of all ages and backgrounds.